Proper Etiquette in the Slaughterhouse Line

Now available from Gutter Snob Books! Order from the publisher or order from my Big Cartel shop!

“The work we do, all of us, this whole universe of spreadsheets and emails and wrenches and lesson plans and bus routes, this work we do is just to keep us from thinking of Love.”

When our value is judged by our productivity, when we’re seen more as cogs in a machine than human beings, when the warnings of a world on fire are ignored by CEOs and politicians cashing in at every turn—doom is inevitable. These poems explore the grinding, churning world of the working class waiting in line for their turn in the slaughterhouse, and when the world begins to fall apart after years of dour warnings, we’re still expected to come in and punch the time-clock as the bombs fall, the water dries up, the toxins spread, and the end comes for each of us. But the boss is throwing a pizza party at 4 p.m., so don’t punch out too soon!

“James Duncan shows his work. He is thorough and true. There is a cadence to these poems that goes beyond the poems themselves. The entire book moves like a train. Duncan uses language as a vehicle in which the reader truly travels. There are depots and little worlds along the journey. There are tiny poems inside each poem itself. His poems are crafted like stories told between friends, stories too painful to tell, stories written in real time and reflection, stories that are windows and stories that are lessons learned through the grinding grief and unpredictable joy that define nearly every life ever lived. Duncan reminds us that our lives are large, real and precious, but so much is lost in the paperwork and the phone call and the everyday business of our lives. This book is a catalog of the glory and the desperation of being alive in a world that challenges decency. These poems fight to deny that challenge, to disregard it even as we live it and see it out the windows of our brains, our bargains with ourselves and as we bump along the tracks of our lives. Duncan reminds us that "if you’re going to die, die with decency.” — Dena Rash Guzman, author of Joseph and Life Cycle

“James Duncan's new collection of poems punch me square in the teeth. Most of us work a job we hate just so we can survive in a world that would rather see us exhausted than in love, that would rather see us depressed than creative, that would have us put our heads down and live among the meaningless than to look up and discover awful truths. These are poems in the vein of Carver, Bukowski, and James Wright. Workers, fighters, and people with little hope, trapped in a system they cannot beat, but sometimes can beat late at night during the exhausted hours. These poems take the everyday mundane existence we are force fed eight hours a day and show us there is hope, but only if we are willing to open the doors of the slaughterhouse.” — Frank Reardon, author of Loud Love on the Sevens and Elevens, Blood Music and others

“With Proper Etiquette in the Slaughterhouse Line, James H. Duncan does a superb job of showing us our humanity exactly as we are living it, the pain, the struggle, the sickness and all the manifestations of any joys we can find to keep ourselves grounded. Duncan’s poems are both heartbreaking and equal parts exuberant within the expression of the simplest speck of human minutiae. This book of poetry exposes our very soul.” — John Grochalski, author of Eating a Cheeseburger During the End Times and P-Town Forever

New Poetry Collection Coming Soon from Gutter Snob Books

Later this year, probably late summer or early autumn, Gutter Snob Books is planning to release my next poetry collection, Proper Etiquette in the Slaughterhouse Line. It’s a chapbook focusing on work life and the office “grind” culture in modern America and how destructive it is, and as the poems go on the story evolves into a tale of our impending apocalyptic end as a human society and how even down to the very last minutes on the punch clock, the corporate machine churns on and spits us out like used cogs, replaced by bones and nuclear winter. So yeah, cheery uplifting stuff! But I’m thrilled editor Michele McDannold selected the collection for the Gutter Snob Books 2022 lineup, and I’ll post more details and the cover when it all comes together. Thanks very much, and stay tuned for even more publication news soon!

New Poem in Black Poppy Review

My poem “Creatures Who Survived” now appears at the delightfully grim Black Poppy Review, which describes itself as a journal focusing on “dilapidated, mossy grounds…hidden paths and nooks which lead to words that linger and haunt--poems of abandonment, flora & fauna, folklore, ghosts, memories, nature, night, solitude, weathering, wonder, and the otherwise forgotten.” My piece certainly fits into that mold. It’s one of the post-apocalyptic poems I wrote pre-pandemic that I’m working into a future chapbook of similar pieces, so stay tuned for that. Thanks to Sandy Benitez for accepting this piece and for publishing such a cool review!

New Poem in San Pedro River Review

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My poem “A Sunday Like This” now appears in San Pedro River Review’s latest issue, alongside the poetry of such writers as John Dorsey, Ann Howells, Kevin Ridgeway, Ken Meisel, Megan Merchant, Justin Hamm, and Mela Blust, among many, many others. This particular poem is one from a series of semi-apocalyptic poems I’m putting together for a small collection I’m hoping to shop around next year, and I’m glad this early piece found a home. San Pedro River Review is one of my favorite publications of all time run by the incredible Jeff and Tobi Alfier, and I haven’t taken a shot at submitting with them in a while, so I’m doubly honored to appear there once again. Thanks for reading and for your support!