Nassau, a New Collection of Poems and Photos

I grew up outside the small town of Nassau in upstate New York from about age 8 to 15. We lived in a trailer park, and this collection is not about the park itself (that’s another book of mine called We Are All Terminal But This Exit Is Mine) but of memories of Nassau and the surrounding area. The book is filled with poems inspired by people and places there, perhaps not as autobiographical as my other books, but the voices and lives within the poems exist within the memories I have of the area. The book contains 30 photographs and 30 poems and is also inspired by the Bruce Springsteen album Nebraska. Poems featured include “Johnny ‘89,” “Cedar City,” “Townie Cops,” “Hand-Me-Downs,” “My Mother’s House,” “Used Cars,” “Blood of Nostalgia,” and many more!

The book is now available! Here’s a sample piece from the book. Thanks for taking a look. Your support and interest means so much to me!

Used Cars

A ‘91 Pontiac with rust stains on the roof. We took it up and down the streets in town, passed the ball fields and the gun shop and took a right at the Sunoco station back to the edge of the village. On the first turn I could tell the CV joints were going out but all she did was stare out the passenger window and tell me how she didn’t like this town. She had to get out. It was going to trap her like it did her sister. The faint smell of smoke came from the air vent. I wasn’t sure if it was residual ghosts of old cigarettes or maybe the engine. The gauge said the temp was fine but that didn’t mean anything. She put her feet on the dash. Bare and pale in the early summer sun. I thought of footprints, but who cares? I wasn’t buying this old Pontiac anyway. Not from Jeff at the Fix-n’-Go outside of town. Not after he made that racist joke about what PONTIAC (as an acronym) stands for. I’d heard it a million times. I mean, on one hand, who cares. But I’d heard too many guys I went to school with (who reminded me of Jeff at the Fix-n’-Go) who belittled my best friend, a half-Mexican, as a “spic” or “wetback” and I made the decision at age nine not to fully trust anyone who said such dumb shit. Another turn. Another cul-de-sac. The wind played with her hair. Caramel whippets dancing around the headrest. She sometimes joked about robbing a bank and she smelled like a department store perfume counter, and I like both of those things. She sighed, looked at me. I winked. Maybe it was too late for us to get out. I pulled into the Fix-n’-Go garage beside the line of used cars and told Jeff I’d like to try the ‘88 LeSabre too. He said he had to find the key. I said that was fine, I didn’t have anywhere to be. I’ll bet when he came back out to find us gone, he was pissed. But to hell with Jeff Sawyer. We headed to Smith Pond. Watching the way her feet bobbed above the water and caught the light of the sun as she tried to float with the abandoned summer camp on the hill was worth another week of hunting used cars, just something to get us from Point A to anywhere but here.

New Poem in Misfit Magazine

My poem “Cherry Dip” now appears in Misfit Magazine, edited by the absolute legend Alan Catlin. The issue is chock full of great poets and friends and I’m delighted to have been included. The poem is about watching a drug bust go down in an otherwise idyllic village downtown in front of an ice cream stand and the weird juxtaposition of the moment. The poem will also appear in my upcoming book Nassau, with more details on that soon.

And if you go to the issue of Misfit and read the Books Received and Acknowledged section, you’ll find a brief review of my book Cistern Latitudes.

My thanks to Alan for including the poem and for giving my last book a quick write-up. And thanks to all of you for reading!

New Poem in Tabula Rasa Review #3

My poem "Acre" now appears in Tabula Rasa Review Issue 3, which you can view or download digitally at the link in the comments, or buy a print edition for just $14. The editors took a lot of care to revise this one with me a couple of times to really tighten it up. I appreciated the involved and invested process, so consider sending your work too! The poem also appears in my book Cistern Latitudes, and I have a few signed copies left of that one. Thanks for reading!

Proper Etiquette in the Slaughterhouse Line

Now available from Gutter Snob Books! Order from the publisher or order from my Big Cartel shop!

“The work we do, all of us, this whole universe of spreadsheets and emails and wrenches and lesson plans and bus routes, this work we do is just to keep us from thinking of Love.”

When our value is judged by our productivity, when we’re seen more as cogs in a machine than human beings, when the warnings of a world on fire are ignored by CEOs and politicians cashing in at every turn—doom is inevitable. These poems explore the grinding, churning world of the working class waiting in line for their turn in the slaughterhouse, and when the world begins to fall apart after years of dour warnings, we’re still expected to come in and punch the time-clock as the bombs fall, the water dries up, the toxins spread, and the end comes for each of us. But the boss is throwing a pizza party at 4 p.m., so don’t punch out too soon!

“James Duncan shows his work. He is thorough and true. There is a cadence to these poems that goes beyond the poems themselves. The entire book moves like a train. Duncan uses language as a vehicle in which the reader truly travels. There are depots and little worlds along the journey. There are tiny poems inside each poem itself. His poems are crafted like stories told between friends, stories too painful to tell, stories written in real time and reflection, stories that are windows and stories that are lessons learned through the grinding grief and unpredictable joy that define nearly every life ever lived. Duncan reminds us that our lives are large, real and precious, but so much is lost in the paperwork and the phone call and the everyday business of our lives. This book is a catalog of the glory and the desperation of being alive in a world that challenges decency. These poems fight to deny that challenge, to disregard it even as we live it and see it out the windows of our brains, our bargains with ourselves and as we bump along the tracks of our lives. Duncan reminds us that "if you’re going to die, die with decency.” — Dena Rash Guzman, author of Joseph and Life Cycle

“James Duncan's new collection of poems punch me square in the teeth. Most of us work a job we hate just so we can survive in a world that would rather see us exhausted than in love, that would rather see us depressed than creative, that would have us put our heads down and live among the meaningless than to look up and discover awful truths. These are poems in the vein of Carver, Bukowski, and James Wright. Workers, fighters, and people with little hope, trapped in a system they cannot beat, but sometimes can beat late at night during the exhausted hours. These poems take the everyday mundane existence we are force fed eight hours a day and show us there is hope, but only if we are willing to open the doors of the slaughterhouse.” — Frank Reardon, author of Loud Love on the Sevens and Elevens, Blood Music and others

“With Proper Etiquette in the Slaughterhouse Line, James H. Duncan does a superb job of showing us our humanity exactly as we are living it, the pain, the struggle, the sickness and all the manifestations of any joys we can find to keep ourselves grounded. Duncan’s poems are both heartbreaking and equal parts exuberant within the expression of the simplest speck of human minutiae. This book of poetry exposes our very soul.” — John Grochalski, author of Eating a Cheeseburger During the End Times and P-Town Forever

New Poem in The Mantle, Issue 14

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My poem “Fugue” now appears in The Mantle, Issue 14, alongside the works of Emily Scudder, Elise Houcek, Blue Nguyen, and other writers who are definitely worth checking out. It’s a small lineup but editor James Croal Jackson picked a great slate of folks, and I feel very fortune to appear alongside them. The poem itself is about the cyclical nature of life and fate, and what is lost will be found again, only to fade back into the night. I hope you enjoy!

Two Poems in New Dreamscape Anthology

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Open Skies Quarterly is a print and digital journal that recently teamed up with Shrouded Eye Press to create a series of anthologies, and their most recent is called Dreamscape, in which all poetry touches on the themes of dreams, nightmares, daydreams, etc. The collection includes two of my poems, “The Ghosts of Flat Tires and Dead Flowers” and “The Cold Northern Edge of Your Rope.” The latter is somewhat apocalyptic and political while also being one of the more calming and peaceful poems I’ve written in a while. The former is about daydreaming in my living room and appears in my latest book, Beyond the Wounded Horizon, a split collection with J Lester Allen. You can download the Dreamscapes Anthology for free, or purchase a copy in print form. Thanks for reading!

New Poetry Collection, Feral Kingdom, Coming Soon

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My latest collection of poetry, Feral Kingdom, is coming soon from Kung Fu Treachery Press. The collection features poems abandoned and cut loose, crawling through the holes in the back fence, running beyond the town line, and disappearing down sprawling country roads into a world unknown. Between the lives we lead, the loves and jobs and homes we claim, there is a place of raw nerves and lonely nights, of bars drenched in neon and highways promising something better. There’s a feral kingdom out there, and all of us have to walk through it, live it, survive it, one way or another.

More details are on the way, including an exact release date and information about reviewer copies and PDFs. For samples of the kind of poetry you’ll find within, feel free to check out “Spiders at Night” from Up The River, “West Texas Skyway” from Punch Drunk Press, or “My Ex’s Father” from Foliate Oak Literary Magazine. But the collection will mostly feature unpublished poetry, and readings and signings will follow upon its release. Thanks for all of your support!

New Poem Appears in Ghost City Review

The September 2018 issue of Ghost City Review (a publication of Ghost City Press) is now live and includes my poem "Hidden By The Smell of Flowers" alongside the work of such writers as Kate Garrett, Peycho Kanev, Emma Lee, Kristin Garth, and others. The issue includes poems, an interview, and a drama/play. My thanks to the editors for including my poem, and I hope you enjoy!

The Closed Circuit of Poetry

Turning words into comfort, weapons, and the most widely embraced artform of our time

During many of the most recent political shifts toward conservative nationalism, be it in Europe or in America, I have heard the call that artists must take up the mantle and create, that this must become a period of renewed drive, and that poetry, among the many arts we need now more than ever, will lead the way back to brighter times.

I have my doubts. Certainly not about the power of poetry to provide solace in trying times or to lift the veil on hypocrites and racists. Instead I worry about poetry’s ability to do so in an effective manner. I should add that my doubts do not stand in defiance of trying, but if we’re going to turn our art into tools of comfort for allies and into useful weapons against oppressors, we’d better make damn sure we’re not working inside an echo chamber.

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Three New Poems In Three Of My Favorite Lit Magazines

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Things have been rolling this week. On top of my new book dropping Halloween night, I have three new poems appearing in three different magazines around the net. 

My poem "Hunger" joins a slew of others in a special edition of Drunk Monkeys: The Year of Trump, a collection of poems, prose, interviews, and art about life in this "new normal" that shouldn't be normal at all. The writers here are no fan of 45, and my pieces laments over how to deal with loved ones who have gone lockstep in a strange and frightening direction. The issue is full of wonderful writers, like Rachel Nix (Hobo Camp Review's new associate editor!), Ally Malinenko, John Grochalski, Cat Conway, and others.  

Another "Trump" poem of mine, "Last Cigarette," appears over at Winedrunk Sidewalk. This site publishes a new poem every day about life under 45. Keep checking in for all kinds of voices speaking up and out.    

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Finally, Lonesome October Lit (one of my favorite new online journals) has included my poem "The Incident at Choke Cherry Farm" in their big Halloween extravaganza yesterday, and I'm so happy to be part of it. Anyone who knows me knows I adore Halloween, so this is super cool. My deepest thanks goes to poet and editor Kate Garrett, who also selected my poem "Prayers from Dunwich" earlier this October.

Thanks for reading, and I'll see you all down the road...  

On the Air with 105.3 FM & The Sanctuary for Independent Media

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I hit the airwaves last week at WOOC 105.3 FM alongside my Troy Poetry Mission co-host R.M. Engelhardt to talk to Meghan Marohn and Bryce Miller about our monthly reading series in Troy, NY, the recent StoryHarvest event at The Sanctuary for Independent Media, and how poetry and readings can help build community bonds. We even read some poems on the air. You can find our segment at the station's SoundCloud archives, along with a bunch of other insightful, informative interviews. I was caught a little off guard as I forgot to bring some poems with me (what's a poet without a poem!?!?) but I ended up finding and reading my new piece "Last Appointment of the Day," which will appear in my upcoming book, We Are All Terminal But This Exit Is Mine (Unknown Press, 2017). As I mention in the interview, the book will be out around Halloween. More details on that soon. Until then, listen in to 105.3 FM whenever you can! Thanks for listening, and thanks to Bryce Miller, Meghan Marohn, Steve Pierce and everyone at the Sanctuary for having us on the radio!      

"The Reservoir" Nominated for the Best of the Net 2017

The editors over at Vox Poetica just sent news that my poem "The Reservoir" is one of their six nominees for the 2017 edition of The Best of the Net. I'm happy to share this honor with Moriah LaChapell, Nancy Scott McBride, John J. McKenna, Mel Paisley, and Simon Perchik. Good luck to all, and thank you again to the editorial team at Vox Poetica! 

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"Feral Kingdom" now appears in Picaroon Poetry #9

My new poem "Feral Kingdom" now appears in Picaroon Poetry Issue 9 (on page 19, click on the cover toward the bottom of the page to open the PDF of the issue) alongside a veritable pirate crew of dastardly poets, such as Tobi Alfier, Amber Decker, Darren C. Demaree, Robert Okaji, Howie Good, and more. My poem takes a look at a life spent living out of boxes, on the move, dependent on kindness, luck, and every penny one can scrape together. It's not an easy life, it's not always even a good life, and it's the kind of life that flies by a little too fast if you ask me. I hope you enjoy it. The issue is downloadable as a PDF, or you can flip through and read it online. My deepest thanks to the editor, Kate Garrett, for accepting my work! (She also took another poem of mine for an issue due in November.) And thank you out there for reading. I always appreciate it.   

The Troy Poetry Mission Reading Series

I'm very proud and honored to announce that I'm the new co-host of the Troy Poetry Mission reading series, a monthly event that takes place in O'Briens Public House, a stellar Irish pub in the heart of downtown Troy, NY. The creator of the series, poet R.M. Engelhardt, hopes that the two of us will be able to expand upon the already great readers that attend each month and bring some new faces to the area. It's my first time hosting a regular series, so I aim to do my best to add as many diverse styles and voices to the lineup as possible. The series takes place on the last Wednesday of each month, and includes an open mic for any and all who wish to read. Stop in to take the stage, mingle with fellow writers, have a beer and maybe dinner, and let's continue to make Troy a thriving hotspot for poetry!

Poems, Reviews, and Upcoming Fiction

It's been a busy winter so far, and it's only getting busier. Here's a rundown of what's out now and what's coming soon!

  • My review of Nice Feelings by Iris Appelquist now appears at Up The Staircase Quarterly, which is a stellar publication you should be reading.
  • My poem "Going Ghost" now appears at Boned, a journal of skeletal writings. I omitted this poem from my collection Berlin (Maverick Duck Press) so I'm happy it finally found a home.
  • My poem "Nights Don't Die" should appear in the upcoming issue of Five:2:One this month.
  • I have two flash fiction stories coming up in late winter: "Desperate Ain't Lonely" will appear in Full Of Crow, and "Thompson Hill" will appear in Ink In Thirds. I'll post links when they both hit!
  • And finally, for now, I recently had a poem called "The Carson Effect" in Winedrunk Sidewalk: Shipwrecked in Trumpland, and I'll soon have another titled "The Young May Love Without Fear". They publish a new poem every day of Trump's presidency, and if you're not the biggest fan of the current admin, you'll want to take a look.

Thanks for reading and all of your support!

My Top 10 Books of 2016

While I read fewer books than usual in 2016, this annual edition of my Top 10 lists covers a fairly broad range of styles—a rock & roll bio, some YA classics, poetry, apocalypse lit, historical nonfiction, crime, noir, and more. Despite being a pretty miserable year, the good books kept me going. As usual for these lists, I only include books I’ve read for the first time in 2016, but the books can be from any year, brand new or decades old, so long as they’re new to me. I’d love to know what your favorites were this year as well, so feel free to add those in the comments section! Most of all, I hope you enjoy these if you haven’t yet tried them for yourself.

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"The Old Note Book" Now Appears at Picaroon Poetry

Picaroon Poetry has a new issue sailing the high seas of the internet and its crew is a fine one, full of poets and scribes with words galore. In their new issue, which they unofficially dub the "sex and death issue", you'll find my poem "The Old Note Book". I take notes when I travel and after finding an old clothbound note book I opened it to find so many memories I'd nearly forgotten, and some I most certainly don't recall. I hope you enjoy the poem, and please take a look at the rest of the issue! 

New Review of Dead City Jazz at Albany Poets

A new review of my chapbook Dead City Jazz now appears at Albany Poets. In the reviewer's own words, the collection "explores the geography of human emotion, love, loneliness, desperation, fear and indifference using robust imagery while simultaneously intertwining narratives." All of the poems take place on or are inspired by alcohol-infused and neon-lit evenings in San Antonio, Texas, and while some are certainly bar poems, others hover in more remote corners of the night, on back streets and in quiet rooms in a suffocating silence. The review does a good job of getting to the heart of the poetry, especially the part where the reviewer recognized "how we improvise through our experiences like jazz music," through every conversation and relationship, every night and day. I'm proud to have my hometown poetry organization host this review on their site. Take a look, and thanks for all of the support! Single copies are still available through me, but the whole Punk Chapbook Series from Epic Rites Press is just that, epic, and is worth your time and money.   

Dead City Jazz & the Punk Chapbook Series

Dead City Jazz, my chapbook about the neon and nightlife of San Antonio, TX is now available as part of the Epic Rites Press Punk Chapbook Series, in which you receive 12 books for $40 (plus shipping) all at once. I should have VERY limited signed copies available by early October, but there are so many talented writers in this series that your best best to to get them all before they're sold out. Below is a sample poem from Dead City Jazz called "Death of the Cool". 

Death of the Cool

sewing through Alamo Heights
after midnight, headlights and red lights
and Chet Baker, Miles, news of
your suicide in that cracked little
bungalow further downtown, soft
highway sounds like the ocean
we loved so well

your records and books were gone
by the time we got there to pay respects
but that’s alright, we’ll always
have the night, and all the
pain in the world